![]() ![]() To fully understand this example, we must go beyond analyzing the lyrics and look into the way Lamar speaks certain words in the song. ![]() We can see that Lamar’s attempt to distinguish himself from other artists using contrasting words begins very early in the verse.Īfter setting the tone with the first two lines, Lamar continues to contrast his style and persona from that of the status quo through his use of emphasis. In Lamar’s eyes, artists around him do not care about making powerful music with meaningful lyrics, but rather simply want to make music to attain fame, and, as a result, lower themselves to production gimmicks and publicity stunts. Today, we have seen pop music become more over-produced than ever. The Oxford English Dictionary defines “compromise” as “To come to an agreement by the partial surrender of position or principles.” In the second line of the verse, Lamar says most artists “only co-sign what radio does.” He connects the word “compromise” from the first line, in which he vows not to compromise, with this part of the second line by implying that other artists have surrendered their position and principles by giving into the demands of radio executives. The other intriguing word in the first line is “compromise,” especially in the context of the second line. Often, fans of hip-hop will point to the 90’s as the golden age of the genre, with artists like Tupac, Nas, Jay-Z, and Notorious B.I.G., releasing songs with powerful lyrics to which many listeners felt they could relate. Lamar says in the first line that he is trying to not “compromise the feeling we love.” The word “feeling” is likely referring to the connection music fans have with songs to which they feel they can relate, with lyrics they believe speak to them. If we further analyze Lamar’s word choice, the attempt to contrast becomes even clearer. ![]() Use of “I’m” to start the first line and “you” to start the second line helps to create the distinction between Lamar and the other artists. The first two lines say, “I’m trying to keep it alive and not compromise the feeling we love, you trying to keep it deprived and only co-sign what radio does”. The second verse includes many examples of contrast as Lamar differentiates himself from his competition. By using contrasting lyrics throughout the song, Lamar confronts the current state of hip-hop and openly declares that he will refuse to follow its beaten path. He also attempts to distance himself from the current mold by proclaiming himself genuine, saying that he wants to “stop all the pollution” that the status quo spews. Throughout the song, Lamar calls out current artists, although not specifically, for their superficial motivations to make music and for only making hollow music for the sake of popularity. Good Kid M.A.A.D City earned Lamar four Grammy Award nominations at the 56th Grammy Awards including Album of the Year.“Bitch Don’t Kill My Vibe”, a song by Compton hip-hop artist Kendrick Lamar, is a gutsy and passionate challenge to the current state of the music industry, specifically focused on hip-hop and rap. Upon it's release, Good Kid, M.A.A.D City received widespread acclaim from music critics, who praised it's thematic scope and Lamar's lyrics. Billed as a "short film by Kendrick Lamar" on the album cover, the concept album follows the story of Lamar's teenage experiences in the drug-infested streets and gang lifestyle of his native Compton, California. Dre, Just Blaze, Pharrell Williams, Hit-Boy, Scoop DeVille, Jack Splash and T-Minus, among others. The album was recorded mostly at several studios in California with producers such as Dr. It was preceded by the release of Kendrick's debut studio album Section.80 (2011), released exclusively through the iTunes Store independently. The album serves as Lamar's major label debut, after his signing to Aftermath and Interscope in early 2012. The album was released on October 22, 2012, by Top Dawg Entertainment, Aftermath Entertainment, and was distributed by Interscope Records. Kendrick Lamar good kid, m.A.A.d city Good Kid, M.A.A.D City (stylized as good kid, m.A.A.d city) is the second studio album by American rapper Kendrick Lamar. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |